In her latest blog post, Dr. Dennis-Tiwary muses on an interactive art piece at the Rubin Museum that shows that anxiety and hope are intrinsically intertwined in our imagined future. Read the excerpt below and link to the full blog post here.
I had the pleasure of being on stage at the Rubin Museum with two wonderful artists (and human beings!), Candy Chang and James Reeves. In 2018, they created a participatory art installation for the Rubin Museum called A Monument for the Anxious and the Hopeful. Each day visitors added new hopes and anxieties, totaling over 53,000 anonymous submissions. I have been working with Candy and James over the past year to make sense of these submissions and what they reflect about the personal and the public, about intimate experiences of hope and anxiety and broader societal shifts. One of the most beautiful aspects of this project was the degree to which people engaged and found solace in the work.
Indeed, when my family and I entered the Rubin museum in 2018, as past visitors of the museum we were used to admiring the giant spiral staircase winding up the light-filled foyer and the exquisite Tibetan sculpture of a lion standing guard at the far wall. So, we were excited and a bit stunned to see something that seemed completely out of place in this museum devoted to Tibetan, Indian, and other Himalayan cultures – a giant wall, half blue and half red, covered with hundreds of white cards. As we approached, we saw that there was writing on each of these cards. It seemed like a secret message in plain sight, waiting to be decoded. This was The Monument for the Anxious and Hopeful. Visitors were invited to share their anxieties and hopes by finishing one of two sentences, printed out on thousands of cards: I am hopeful because …- or – I am anxious because…. Then, visitors placed the cards on hooks fixed to a wall, divided by two colors – blue for hopes and red for anxieties.
To continue reading my full post The Moment That Has Yet to Arrive, click here.